Almost Summer Movie Bits

After Cannes I was left with an entertainment mood wishing to watch only irrelevant escape films that take me into fantasy land. So that’s exactly what I have been doing with a few exceptions. But I’m also in a 3D mood so for sure will go to watch not Pirates but the green movie that soon will open at a theater near you with none other than Ryan Reynolds and a story about my favorite super hero from when I was a kid.

Unknown – If you don’t expect much then this thriller will entertain you even when story is similar to many other stories –man hits head and not even wife recognizes him- but here the twist at the end is unexpected and unfortunately anticlimactic. Starring great Liam Neeson carrying the entire film well -but take note that this is NO great Taken- plus many other great actors like Bruno Ganz, Sebastian Koch, Frank Langella, Aidan Quinn, January Jones and Diane Kruger makes movie watchable and for a while you will surely forget everything about your real life. Enjoy!

Just Go with It – Expecting not much, movie really surprised me. First because I had no idea Nicole Kidman was here and much less that she was doing comedy. Second because movie is as good/entertaining as those movies with the Sandler/Barrymore duo. Third I had fun watching Jennifer Aniston, which is absolutely unusual. So if you liked movies like The Wedding Singer and/or 50 First Dates I know you will enjoy this movie. Enjoy.

Red Ridding Hood – Perhaps I really like Catherine Hardwicke filmmaking style with spectacular outdoor compositions and takes but to my huge surprise, I enjoyed this movie for the visuals and well the unusual take on the classic fairy tale. Some female critics are saying that this movie target is female teenagers, hmm… maybe but even if I’m no teen I can tell you I enjoy watching great Julie Christie in the screen –she should act more often- and the twisted story that kept me wondering who the werewolf was. No, didn’t guessed right, so was absolutely unexpected, which is also unusual for me. This is no horror movie or thriller, is more like a suspense “who dunnit” kind of movie with spectacular visuals. Enjoy!!

Ilusiones Opticas (Optical Illusions) – When I finished watching this movie by Cristián Jiménez I said “is okay”. Not much time passed when I started to really think what I saw in the screen and then, story absolutely hit me hard, very hard. Movie is about “optical illusions” about what is crudely in front of you but you don’t chose to see it for whatever reason; so you create your fantasy to cover reality, to dream a dream of change, with a happier ending that never will be. Great story in a minimalist, narrative oriented film with some humor, some sadness, and some temporary happiness. If you decide to watch it you will not be disappointed. Enjoy!!!

Pa negre (Black Bread) - This Agustí Villaronga film tells about what lies can do to people, how one lie takes to another lie, how lies come from ignorance and from fear of what others could say if you admit truth, even when everybody else knows truth but chose to keep it silent or to forget about it, until truth comes out and everyone points fingers. Yes that’s what this entertaining movie is all about but using kids plus the harsh post-war years’ in Spain Catalan countryside makes what could have been a difficult-to-watch story into a more digestible story and an entertaining movie. Enjoy!!

Barney’s Version – Not sure what I was expecting from this movie, but surely wasn’t much as I don’t particularly like Paul Giamatti performances and much less, Scott Speedman; so when movie starts and goes to the past in Italy I almost stopped watching but decided to continue and I’m very glad as in the end, I liked this movie that tells the story of Barney Panofsky with his business successes, his female conquests –until he’s conquered by one woman- and his numerous failures. To me story and movie is a satire that pictures quite well the life of many men, a story that strongly resembles the life of many real life men that I know. An entertaining movie to escape reality while watching what could be reality to many. Enjoy!!

Ubiitsy (Killers) – This 1956 short film co directed by Andrei Tarkovsky when he was a student at VGIK absolutely is the best student film I have EVER seen. Is the last of Tarkovsky’s so reduced (11 titles) oeuvre that I had to see before I die or I decide to stop doing the blog. Now I can say that I have seen all his outstanding films and this short co directed with his student colleagues, with them acting, and with a scene with Tarkovsky acting is truly visual poetry even when is based on a short story by Hemingway about some killers that are in town to kill a man. If you love Tarkovsky’s work as much as I do, you have to watch this short film as well as the other 10 films he did. Truly Outstanding. BIG ENJOY!!!

El Sicario: Room 164 - A documentary that tells about the life (20 years) of a man as a highly trained Mexican narco hit man that will capture your attention not only because what he says but also for his multiple drawings while telling the most horrible stories of killings, kidnappings, torture and all the things he did while being trained, starting to work, becoming an expert and how he went into hiding, as now there is a contract on his life of US$250,000. You will not see a thing but you will hear everything, which I believe makes it more ice-cold terrific. Still, is mesmerizing until the very not-expected end that is totally anti-climatic and ruined the doc for me. Watch at your own risk. Enjoy!

El Infierno (Hell) – Actually watched this film before watching the above documentary and definitively was the reason why I decided to watch El Sicario as wanted to learn more about narco’s life as with this movie you get a satiric approach, which is very entertaining and definitively succeeds in getting you to think about this theme that you hardly think about it in your everyday life. As mentioned in other post, film is good as humor facilitates watching everything; but when you live or have lived in Mexico or any other country where chaos is real, film definitively is must be seen to realize that after all whatever is happening in Mexico -and many other similar countries- is consequence of many years, hundreds of years, where citizens indifference –and participation- have made everything possible as they did before, are doing today and unfortunately will continue to do tomorrow. According to what I read –and I agree- many films released for Mexico’s bicentennial celebration tell so many dark truths that makes many wonder if there is something to celebrate as “nothing has changed much” after 200 years. Enjoy!!!

Surely I’m forgetting some films, but this is it for today!

Cheers!

53rd Ariel Awards

A while back the Mexican Academy had their award ceremony where the narco-themed satire El Infierno (Hell) swept the awards by winning nine top film prizes, including best picture and director. I have seen the movie -that was released under Mexico’s Bicentennial celebrations- and is a dark comedy that precisely because the humor is able to tell and show many crude “realities” about what’s happening in Mexico with the narco, the government, and perhaps most of all its citizens. It’s a film that many should watch, especially if you live in a country where citizens indifference facilitates chaos.

Here are nominations with winner in (*) BLUE for some categories.

Best Film
Abel, Diego Luna
Chicogrande, Felipe Cazals
(*) El Infierno (Hell), Luis Estrada

Best First Film
Alamar, Pedro Gonzalez Rubio
(*) Año Bisiesto (Leap Year), Michael Rowe
La Mitad del Mundo, Jaime Ruiz Ibáñez

Best Director
Diego Luna for Abel
Felipe Cazals for Chicogrande
(*) Luis Estrada for El Infierno

Best Actress
Karina Gidi in Abel, Diego Luna
(*) Mónica Del Carmen in Año Bisiesto (Leap Year), Michael Rowe
Maricel Alvares in Biutiful, Alejandro González Iñárritu
Ursula Pruneda in Las Buenas Hierbas (The Good Herbs), María Novaro

Best Actor
Javier Bardem in Biutiful, Alejandro González Iñárritu
(*) Damián Alcázar in El Infierno (Hell), Luis Estrada
Demián Bichir in Hidalgo, la Historia Jamás Contada, Antonio Serrano
Hansel Ramírez in La Mitad del Mundo, Jaime Ruiz Ibáñez

Best Iberoamerican Film
El Hombre de al Lado (The Man Next Door), Mariano Cohn and Gastón Duprat, Argentina
(* Tie) José Martí: el ojo del canario, Fernando Pérez, Cuba
(* Tie)También la lluvia (Even the Rain), Iciar Bollaín, Spain

To check nominations in all categories go here and for all winners go here.

Many were wondering why the movie that was submitted to 2011 Oscar was not even nominated in top categories, but some of us know that Mexico politics are not always clear not only in the Country but also in cinema circles. Anyway if you wish to understand better what’s going on in Mexico, then El Infierno should be must be seen for you.

Post Mortem

Film started like a story about a deadpan face obsessive stalker-alike neighbor that wanted to “meet” Nancy, his front door neighbor. Continued with all his life little dull life nuances at home and at work, where he was an autopsy recorder of the very old fashion and traditional style. Life was monotonous and Mario found the way to meet Nancy but she literally escapes from his company. A discussion at work, only way to keep what they have is with arms… finally film touches the theme I was waiting for! Yes I knew what film was about and for more than half the film I was impatiently waiting for the film to start. Big mistake!

If you want to enjoy movie first half I strongly suggest you learn nothing about this movie otherwise you will be just like me “waiting for the movie to start”.

Pablo Larraín film will hit you hard probably as much as really hit those that live it and lived to tell. Set a few days before the other September 11th, tells Mario’s story but as you can imagine is only the excuse to tell what was happening before, during and after that fatidic date in 1973 and Larraín chooses to tell it in an unconventional, unique, and unexpected way that will hit you hard while watching but more after when you play the movie again in your head. Still on the surface is a dark non-romantic love story. But after all movie is about the death of a nation, about dead people and about a love that dies; I’m sure it will hit you more than what you imagine and could expect.

With only a few characters and starring incredible Alfredo Castro of Tony Manero’s fame film showcases very interesting visual narrative with high production values that will keep your undivided attention even when movie has slow pace that feels slower in the first half and so fast in the second half even when rhythm is the same the entire picture. But film’s provocation does not only comes from the story, also comes from an astoundingly beautiful framing and composition, especially in many takes with the space off the screen when we cannot see what goes on.

Premiered in competition at 2010Venice and followed with San Sebastian fest at Horizontes Latinos, film continued to collect honors in the fest circuit, including the one I gave it from just watching the trailer that now I absolutely confirm as this is an almost perfect cinema masterpiece. Chapeau Pablo Larraín.

Not for all audiences, you have to enjoy art cinema with strong stories that are not easy to watch and yes, to understand if you’re not familiar with true history; still I believe movie could be interesting even if only you can see is the dark love story. But again, be prepared as film will hit you hard and harder after watching.

Big Enjoy!!!

Watch Trailer @MOC

Biutiful (2010)

The most recent movie of Mexican director Alejandro González Iñárritu portrays a modern-time Barcelona I didn’t know, though I could imagine it exists. In fact, this movie could have been filmed in most European countries, we all know what is going on but it’s just that we choose not to think about unpleasant things that happen around us.

I have read several times that the movie is about “a conflicted man involved in illegal dealing who struggles to take care of his two children”…or variations of it. It so happens that there is a lot more to this story, like sweatshops and exploited illegal immigrants whose lives we also get to know. This is a movie about people of all races struggling to make a living under desperate circumstances.  

Iñarritu even manages to tackle issues like bipolarity, cancer, homosexuality, adultery, murder and after-life, and yes, it all makes sense and adds to the movie.

As for the cast, Javier Bardem deserves his nomination to the Oscars, but with the script and direction this movie has, it would be hard not to do a good job. I was more surprised with the rest of the cast, since they all do a great job with solid performances. I’m thinking of Maricel Alvarez, Hanaa Bouchaib or Diaryatou Daff. Sometimes having a cast of unknown actors adds to it, because it keeps you focused in the story and on the people that are a part of it.

You will see many people describing this movie as boring, scattered, and inferior to “Babel”. It surely is a movie that demands your full attention. I saw this movie alone and I’m glad that I did that.  As for comparing it with the director’s previous work, I had a chance to re-watch Babel very recently and though I really like that movie, I think Biutiful is better. Well, I’m glad we are all different.

One last note to mention how I love the end of this movie. Or the way it begins?

Biutiful earned itself a Best Foreign Language Film Oscar nomination.

Green light! 

Revolución (Revolution)

As many of you recall I don’t like to read about movies before watching and this anthology was no exception; so had no idea what was going to see and maybe in the back of my head I had a thought that was a series of short films about the infamous Mexican Revolution and yes, Pancho Villa. You have no idea of how deeply WRONG was I and it’s a true shame to admit what I was expecting when the compilation had films by Reygadas, Escalante, Plá, Eimbcke, and Naranjo, I should have known better!

My head is still spinning from watching the shorts but I’m clear that there are at least two ways to watch the outstanding film: one as representation of current trends in contemporary Mexican cinema (or easier, as films –which most serious reviewers seems tend to do) and second, as a series of films with stories that could simply blow your mind IF you’re familiar with Mexico past and present history, Mexican idiosyncrasy and Mexican traditions. To me the one way that totally blew my mind is the second that I should really expand from Mexico to many other countries in the world that had revolutions at one (or more) time (s) in their History, especially those Latin American countries that have ‘similar’ idiosyncrasies to Mexico.

Ten films reflect and some literally tell what I can call “the effects of the revolution 100 years after” and I know that many will not be prepared at all to what you’re going to watch as honestly is not easy to admit that not much has changed after 100 years and like it’s said in a short: “we need another revolution”. Almost all topics of Mexican idiosyncrasy are touched in the films from religion, traditions, expectations, behaviors, feelings, and so many more things that wont list as list could be very long. Maybe I’m totally biased but story wise Carlos Reygadas This is My Kindom is the ONE that stunningly shows in one scenario (had to be a party) the huge diversity of Mexican population plus their appalling behaviors and views of life. Not what I was expecting visually from Reygadas BUT the storytelling technique fits the absolutely impactful story. Amazing and quite hard to watch if you know what happens in many Latin American countries including the one I’m currently ‘visiting’.

Visually I was taken aback with Amat Escalante outstanding short El Cura Nicolas Colgado (The Hanging Priest) with many visually breath taking images and compositions plus a style that some are relating to Buñuel and Jodorowsky but I believe that in this short, more than in his films, he is developing a style that should explore further to make it his own. Briefly, is an excellent short with a strong story that for a moment I thought it was Reygadas, but soon enough decided was Escalante and felt relief when I was right, gasp.

Fernando Eimbcke’s Bienvenida (The Welcome Ceremony) opens the compilation with a visually outstanding film shot in black and white that absolutely plays with light and darkness while telling a compelling story about how today expectations are still peculiarly fulfilled or maybe totally unfulfilled. Gerardo Naranjo’s R-100 tells about how to save something you have to destroy something else as no one will help you saving without first thinking about consequences or how to run away from your past; a gritty story with nice use of digital colors. Rodrigo Plá’s 30/30 (is a ‘corrido’) is perhaps the only that directly deals with a story about politics with a visual style that plays with photos and moving pictures to effectively show disrespect for what is verbally/sentimentally most respected Mexican past; obviously a story that talks about politics but also about almost everything else.

Most impressive for the message and style is Rodrigo García’s La 7th y Alvarado that with what looks like real footage of the Los Angeles intersection blends filmed images of Revolution revolutionaries. The effect is superb with special mention to opening scene; story made me think about how the “real” revolution consequence is now also happening in some streets of USA. I’m so tempted to do an analysis of what I saw in all the above films and a well-known revolution: the American Revolution, but the post will be long and will have to get into ‘dangerous’ not cinema-related issues, so I leave the analysis up to you reader if you feel like getting into those troubled -but very interesting- similarities.

The other shorts by Marina Chenillo, Patricia Riggen, Diego Luna and Gael Garcia Bernal are acceptable less impactful stories with more ‘normal’ styles that help to rest/entertain from the ones that have stronger stories plus more interesting storytelling, cinematography and style.

In summary an interesting compilation of different styles, different stories and one theme in common, what’s happening after 100 years since the infamous Revolution.

Wish I could say what’s the natural target for this omnibus but is not easy to figure out. My instinct says that is Must Be Seen for those that enjoy strong human stories and don’t mind to think a lot beyond what the eyes see and the ears hear; but also should be an ‘obligate’ tour-de-force for everyone that lives in Latin America and all countries with a revolution (or war) in the past or present. Obviously must be seen for those that enjoy extraordinary good and art cinema for the films by Reygadas, Escalante, Eimbcke, Naranjo, Plá, and García.

I enjoyed the compilation beyond any expectations and absolutely understand why the film was in Semaine de la Critique in 2010 Cannes, 2010 Berlinale and transited other fests in the festival circuit. Some short films are simply perfect shorts, the kind that leaves you with the sensation that you have seen everything; you don’t need more as they are complete stories. Excellent!!!

Enjoy!!!

Watch trailer @MOC

Here is a photo with the ten directors at the Berlinale.

Revolucion Worldwide Premiere

Thanks to Mubi who's in partnership with Celluloid Dreams this weekend, meaning ONLY Saturday November 20th and Sunday November 21st, we are able to watch the Premiere of the Cannes-selected Revolución made in honor of the Mexican Revolution 100 Anniversary and the following is a synopsis (from MUBI) of the short films that take a look back at that turbulent time in Mexican History.

The Mexican revolution began one hundred years ago with the overthrow of the country’s dictatorial President Porfirio Díaz. Revolución is a portmanteau film in which ten directors look back in ten short films at the violent upheaval that was to bring dramatic changes to the country. In his film, 30/30, Rodrigo Plá observes commemorative events and local politicians’ speeches. In EL CURA NICOLÁS COLGADO by Amat Escalanate, a boy and a girl come across a priest hanging in a tree. In ESTE ES MI REINO, Carlos Reygadas describes a group of proud Mexicans who invite their foreign friends to join them for a celebration in the country. In LA TIENDA DE RAYA Mariana Chenillo reminds us that, even today, workers are sometimes paid in coupons, which, just as in pre-revolutionary Mexico, they can only redeem in shops owned by their employers. Patricia Riggen’s film, LINDO Y QUERIDO, revolves around an American’s dying wish to be buried in the land he was once forced to leave. The titular protagonist LUCIO in Gael García Bernal’s film is enlightened by his cousin, Omar, as to the sometimes contradictory meanings of certain national symbols. Daniel has an unpleasant altercation with his wife in Diego Luna’s PACÍFICO. He winds up at the beach where he begins to realise that he can only fulfill his dreams by being at home with his family. In R-100 by Gerardo Narango, two workers try to run away from their past; Rodrigo García has the ghosts of deceased revolutionaries pay a visit to Los Angeles in LA 7TH Y ALVARADO, and, in LA BIENVENIDA, Fernando Eimbcke portrays a village that awaits the arrival of a special guest.

I'm embedding the video so we can watch the compilation together and it's not necessary but I stress that one of the shorts is by Carlos Reygadas, who is my favorite contemporary Mexican director and consequently absolutely MUST BE SEEN. But also there are shorts by interesting directors like Fernando Eimbcke, Amat Escalante, Rodrigo Pla, and Gerardo Naranjo; looking forward to watch the films by other Mexican directors I'm not familiar with their work.



ENJOY!!!

Note:  I watched the film in my TV and if you have the computer connected to the TV with an HDMI cable I strongly suggest that you watch the film at MUBI that has the best quality; the film is here.

Cosas Insignificantes (Insignificant Things)

Sometimes films that you forgot about it surprise you not only because after a long time you’re able to watch it but also because the film is good. Andrea Martínez debut is a good film for the story, the performances and most of all for the excellent production values that complement a story that would have been very common and make it quite different thanks to very interesting editing that plays crisscrossing with characters stories.

Not everyone will like the editing as probably will surprise –and eventually annoy- many when what you have already seen appears again when following a different character story; but think that if director have not chosen this storytelling technique, story and film would have been common, will look and feel ‘soapy’ and will not be interesting at all. Still what really blew my mind are the occasional extraordinary takes of a Mexico City that never have seen portrayed so beautiful and yet so dramatic. Just to watch the amazing sights of the volcanoes this film is absolutely must be seen.

But film has also very good performances by an ensemble cast of Mexican and Spanish well-known actors with special mention to Barbara Mori that also produced film and maybe because being a producer –plus a good director- gave a performance that shows that she can really act. But is Paulina Gaitan (from extraordinary Sin Nombre; outstanding Capadocia and excellent Las Aparicio)who steals the movie with her character Esmeralda and her story being the central plot where all other stories converge. Acting in this film is more about body language and facial expressions that tell a lot more than what words could ever do.

The movie is a feel-good movie as has a non-conventional positive ending but story deals with sadness, unhappiness, illness, rage, no-future, loneliness, despair, unfaithfulness, etc. and how an unconventional incident (a beautiful snow alike ash rain) detonates characters change of heart for the better. Title comes from Esmeralda’s collection of little and insignificant common things stored in a small box.

I liked the movie more than I could ever imagined but believe that definitively is not a movie for general audiences as storytelling style is not ‘normal’ and there is no ‘explosive’ drama that will move viewers. This is a film that can move viewers because the little insignificant-and-significant things that happen in narrative and visually. Definitively must be seen for those that like arty cinema with a Latin American flavor.

Enjoy!!!

Watch trailer @MOC

La Yuma

Not very often we have the opportunity to watch a Nicaraguan film (first film in 20 years) and much less one that is above the good threshold as this Florence Jaugey’s film is. This is Jaugey’s “work of love and persistence” as ‘only’ took her 10 years to have her screenplay (she co wrote final version) produced into a movie that was a box office success in Nicaragua and has been collecting honors while traveling the festival circuit.

The film is not flawless but has a good positive story told in a colorful way with non-actors that create characters that look and feel real, especially Alma Blanco’s good performance as La Yuma, the strong-willed young woman that reaches her goal no matter what she has to do. Blanco steals the film and just to watch her makes this film more than worth-watching.

Film tells about Yuma the strong willed young woman from a Managua’s gang-infested poor neighborhood that dreams of becoming a boxer and about finding a way to leave the neighborhood. This is not a drama like –for example- Million Dollar Baby, this is a drama that very credible portraits reality and no doubt that helps that story is based on a real-life story. Most interesting is that even when portraits reality the film does it in a very entertaining non-disturbing storytelling style which absolutely appeals to wider audiences.

I didn’t enjoyed the ‘different social-class’ romance especially because actor playing Ernesto had a not-good performance, but somehow I understand that was important to learn how Yuma for the first time was exposed to the world beyond her miserable surroundings. Excluding those moments I found the film and story quite enjoyable and surprisingly very entertaining.

I do recommend the movie as a good woman centered story and as an easy-to-watch entertaining film that portraits reality so well.

Enjoy!!!

Watch trailer @MOC

La Nana (The Maid)

Not an easy movie for me to review, so I cheated and read a lot of critics and users reviews to get some inspiration. Unfortunately all reviews or viewers comments refer to the story, including those from 'professional' critics, so I have no choice but to share with you all my personal experience with this movie that was not what I expected, a comedy, but a drama that could touch many in so many different ways. Yes, definitively has a powerful story that if you identify with it or not, you will absolutely get absorbed by it.

Why is not easy for me to write about this movie? See, I had a live-in maid when I was growing up and she was part of the family. When I grew up and became independent, never had a live-in maid -came and go everyday- but still became part of my family. The point, I have always had a maid, no matter where I lived and always developed a very close relationship with them. So, the story touched me in several levels regarding this point, one is related to my own experience with maids as being part of my family; another is how maids take control of your domestic life, another how your privacy is invaded by maids, last how maids have an awful position within your family as they really don't belong to your family (period). All the above is a subject matter no one discuss or talk about no matter which country you live in.

But this sad tale with a few tragicomic moments also touched me on a human level on how we human beings could lose perspective of our own lives and end up living lives with other human beings that care for you when is convenient for them and how you become an 'object' they get used to see every day and can't or aren't willing to get rid of it. It's up to each individual to face true reality -against imaginary reality- and get out of a situation, or accept it as such to live a happier life.

Very complex and layered story in a movie with outstanding performances by most of the supporting cast, but the lead Catalina Saavedra performance is truly amazing from any point of view that you analyze it, with special mention to how she transforms right in front of your eyes. Great performance. The movie as a movie has its flaws, but you won't be able to easily see them as the story will grab your attention quite fast and will hold it until the very end. This is the incredible good work of a filmmaker, Sebastián Silva, than in his second film shows great timing mastery, so good that kept the story flowing flawlessly.

The story is very simple, a live-in maid discovers her reality and is allowed to live her own life for the first time in twenty years, since she came to the home of a wealthy Chilean family when she was very young. Obviously for her to finally be able to do it many, but many, things will happen that will portrait her as a villain, a manipulative woman, a caged woman, a very tired woman, an innocent/naive woman, (etc.) up to a more assertive woman that accepts and starts to enjoy her 'real' life.

Did I like the movie? Today I do, but when I saw it I was feeling so 'not good' that I almost regretted having watch it. The story was too close and personal, absolutely identified with it and touched so many 'forbidden to talk' issues that became unbearable. Not many stories in film make me feel so many 'not positive' emotions and took me a long while to realize that I liked the movie (a lot) as this incredibly good performed and directed story broke some of my own taboos.

Will this happen to you? Probably not, but IF you have had live-in maids while growing up or today, then maybe. Still, I strongly suggest you don't miss it as is an awfully good story in a good film that some critics dared to claim has reminiscences of Hitchcock or Godard and yes I do agree with them. The film became a huge success in the festival and awards worldwide circuit and got 24 wins, plus 7 nominations, including a nomination at the 2010 Golden Globes in the Best Foreign Language Film and winning the Grand Jury Prize at 2009 Sundance fest plus Special Jury Prize to Catalina Saavedra.

Again, I suggest you don't miss this amazing film.

Enjoy!!!

Watch trailer @ Movie On Companion