Miral

Artist and filmmaker Julian Schnabel latest film is not similar to his previous movies where in my opinion art and filmmaking merged more successfully; maybe first half of this movie, before Miral becomes the center story, camera moves and editing look and feel artier but everything changes to more “normal” narrative when the little girl becomes a teenager. Then this so-called controversial movie because of the story it tells, is to my eyes and ears not really controversial as tells a known story, Israel/Palestine conflict, told from the Palestine point-of-view, which also has been told in films like for example Elia Suleiman’s The Time That Remains that I believe was more emotionally successful conveying what Palestinians had to live since the Israel state was created thanks to extraordinary use of dark comedy.

Based on a novel by Rula Jebreal, who did the screenplay and seems is real life Schnabel companion, film tells the story of Miral but for more than half the movie you will not see her as the actual story told is about Hind Husseini, marvelously played by Hiam Abbass, the wealthy woman that takes in her house orphan children from the 1948 war with the orphanage eventually becoming a school for girls that still exists today. Not only this part of the story is visually told more interesting but also story and Abbass performances are compelling. Miral story per se is interesting but I believe that was not translated into the screen in a compelling way as you can’t sympathize with her not-really-shown struggle deciding between becoming active in the urban guerilla or do something to promote peace.

Not exactly what I was hoping from Schnabel and end-product is not as interesting as could or should have been as telling the story of four women Hindi Husseini, Nadia (Miral’s mother), Fatima (Nadia’s cell mate) and Miral HAD to be more interesting especially when most of what happens is true life facts and reality.

Can’t recommend the movie but have to share that story got me curious, so curious that think will read the book by Rula Jebreal as I need to know details that so obviously were left out in the movie. Still IF you’re interested in a Palestinian vision from the Israel-Palestine conflict I strongly suggest you to watch Elia Suleiman marvelous The Time That Remains, but be prepared for non-conventional art cinema.

Enjoy.

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עיניים פקוחות Einayim Petukhoth (Eyes Wide Open)

Been waiting for a long while to watch this film and the wait was absolutely worth it as Haim Tabakman’s debut film, that was screened in the Un Certain Regard at 2009 Cannes, not only has an interesting exploration of strict religion beliefs and behaviors but also film has very good tech specs with many silences, slow pace and intriguing cinematography. Can’t say that was a surprise as film was exactly what I was expecting: a good movie that incidentally happens to totally belong to the gay interest genre.

Film tells the story of a married, father of four, respected kosher butcher and Orthodox Jewish, Aaron, who falls in love with a twenty two year old male Yeshiva student, Ezri. That’s the story on the surface as is a very good excuse to show not only the vision -and reality- of homosexuality in ultra-strict religions but also gives us a glimpse into a tight community life that not often we are allowed to watch in the big screen. I particularly was fascinated by the rituals shown by Aaron’s wife, rituals that truly seem so foreign and incomprehensible that totally puzzled me. But basically is the story of Aaron and how he became alive after being “dead” and probably that’s the reason why Ezri is a character that is under-developed in story, whilst giving more importance to a strict, religious, conservative man drama. Film has a very interesting story that in my opinion is above the sad love story or the expected strict behaviors against homosexuality.

Film is absolutely of gay interest but surely is not the regular film in genre as transcends it to become an art-ish film with a story that I’m sure will engage many that enjoy the lesbian interest genre and even those that don’t particularly care about any of the mentioned genres. I strongly recommend film for the good production values and the story as even if there are some love scenes they are very discrete and some even beautiful.

Enjoy!!!

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Levanon (Lebanon)

Been delaying to watch this movie because was sold as a war movie and yes, it is a war movie and we will see some terrible scenes but it's also a tremendous human drama and most of all, an incredibly good movie with the word ART in capital letters. I'm still in shock or better, in trance from thinking so many things about what I saw. Still haven't digest much how art cinema and war can combine so good as in this film, it's not easy for my mind to understand it but that's exactly what this movie did by combining what I can call oil and water. Fantastic, fantastic.

This Samuel Maoz film is based on his own experiences as a soldier and basically tells about the first day of the Israel - Lebanon war when for the first time soldiers face the reality of war after only being exposed to training with decoys or better, without humans to kill or that can kill you. Four very young soldiers inside a tank with some paratroopers outside go into an easy mission that gets very complicated due to the inexperience of everyone involved. That's all I'm saying to not spoil the intense and excellent story.

So we viewers go into the war also inside the tank. For almost the entire movie -except two scenes- we will be inside the tank too and will only see the exterior by the tank visors just like real soldiers inside a tank can do. This extraordinary and unique visual storytelling technique generates the most intense emotions while you watch soldiers reactions to whatever is happening, plus there are many takes that show the atrocities of war and the youth of the four soldiers that are simply beautiful. How can you have two so opposite words -war and beautiful- in the same sentence? Only in this unique film that grabbed my total and complete attention since the very first long still camera take that lasted for more than a minute until the very last scene at the same place but now with an intruder that completely fits the setting. Grabbed my attention and never let it go, but became intense quite fast and was no roller-coaster, was intense all the way for the hour and a half it runs. Absolutely amazing.

Maybe some of you will remember that I dislike traditional war movies and it's hard for me to analyze the war side of the movie so I won't go there. I like to analyze the human behavior in this movie that was portrayed so realistic that absolutely transported me inside the tank and became like a voyeur of everything happening in the very small space and the little we could watch by the visors. All that I lived while watching made me think about how little are we prepared for the unknown, no matter how much we have studied, read, and practiced in controlled situations. Think I better stop or this will be too long but if you reached this point you will have a clear idea of how much this movie affected me, not really because of the story -that has been told many times- but by how it was told with extraordinary use of visuals, editing and one intrusive/repetitive sound special effect when the visor moved.

What better day to watch the 2009 Biennale top winner than today? Yes, Lebanon was last year Golden Lion winner and I'm sure that this and all the honors it has collected in the fest and awards circuit are well deserved.

It took me a while to decide to watch but today was an excellent day as I had a good state-of-mind and the correct mood to watch it. I strongly suggest that if you haven't seen it search for your right moment to watch it as this is not a movie to watch just any other day.

Not a movie to enjoy, wait that's not true! If you appreciate great visual compositions, extraordinary camera angles, fantastic close-ups, and more, you will definitively enjoy this movie as much as I did. I highly recommend this film and urge you to not miss it if you haven't seen it yet.

BIG ENJOY!!!

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Ajami (عجمي‎ - עג'מי‎)

Soon we will learn Israel's submission to the Oscar and if is anything alike to last year submission and Oscar nominee, will have to watch it immediately as the debut by Scandar Copti (Palestinian born and raised in Ajami) and Yaron Shai (Jewish Israeli) is an amazing film that from the very beginning up to the end grabs your attention and won't let it go, not even for a second, not to think twice what's happening, not to analyze a thing; the film is one non-stop ride into the a slice-of-life of some characters presented not in chronological order, with the story moving back and forth, plus re-telling from a different point-of-view, until all stories merge in one point and it's the end. Amazing, truly amazing especially because you will not see violence (when everything is violent), you'll not see political statements or something in particular besides what could be normal life in an impoverish neighborhood with a melting pot of cultures and conflicting views among Jews, Muslims and Christians.

It's a story that looks and feels so real, but the way is told is what makes this film a cinematic experience in storytelling, hard, very-hard to believe that is the debut film of two young directors (and screenwriters), as shows great storytelling mastery with amazing narrative and especially the awesome cinematic language that fast involves you and doesn't let you go until the very end. Fantastic.

It was such an intense one long sigh voyage that when the film was over I had to stop my mind and review the whole film -in my mind- to really grasp everything that I watched for the past two hours; not the story, but the visuals and the amazing editing that creates an unique -and very compelling/involving- storytelling style. Absolutely a must be seen film that I hope many have already seen by now.

As brief as possible here is a plot summary, the story is narrated by young Nasri and tells about his older brother Omar fighting a criminal vendetta against his family. Omar is Muslim and in love with Christian Hadir, his boss daughter; the boss Abu Elias owns a restaurant where Omar and illegal immigrant Malek work. Malek is desperately trying to make money for her mother's life-saving surgery. Dando is a Jewish police officer obsessed with finding his missing brother and last, Binj a Palestinian dreaming of a future with his Jewish girlfriend and played by none other than Scandar Copti. Most -if not all-characters are played by non-actors, which absolutely adds to the realistic look of the story and film.

The film collected many honors including Special Mention Camera D'Or at 2009 Cannes, winning the top awards at 2009 Ophir Awards, and being one of the five Oscar nominees in the Best Foreign Film category.

Strongly suggest you don't skip this movie that I know will watch more than once as I have to understand -more- the amazing storytelling style.

Enjoy!!!

Watch trailer @Movie On Companion