Showing posts with label Hong Kong. Show all posts
Showing posts with label Hong Kong. Show all posts

6th Asian Film Awards Nominations

Today Hong Kong International Film Festival Society announced the nominations and right now official site has crashed due to “capacity problems”! Nevertheless here are the nominees from different sources and will confirm nods as well as post link to official site when site is up again.

Update
Finally I’m in the official site and here is an excerpt from the official press release.

Hong Kong, 17 January 2012 – The Hong Kong International Film Festival Society (HKIFFS) announced today the nominees in the 14 categories and the jury for the 6th Asian Film Awards (AFA). Eric KHOO, Singapore-based director and producer, will take up the mantle of Jury President, heading the panel of international film community notables who will select the winners of these prestigious awards. The Asian Film Awards Presentation Ceremony will be held at Hong Kong Convention and Exhibition Centre Grand Hall on 19 March 2012.

To continue reading press release go here.

Best Film
Jodaeiye Nader az Simin (Nader and Simin, A Separation), Asghar Farhadi, Iran
Ichimai no hagaki (Postcard), Kaneto Shindô, Japan
金陵十三釵 Jin líng shí san chai (The Flowers of War), Zhang Yimou, China
龍門飛甲 Long Men Fei Jia (Flying Swords of Dragon Gate), Tsui Hark, Hong Kong and China
賽德克•巴萊 Seediq Bale (Warriors of the Rainbow: Seediq Bale), Wei Te-sheng, Taiwan
ज़िन्दगी ना मिलेगी दोबारा Zindagi Na Milegi Dobara (You Don’t Get Life a Second Time), Zoya Akhtar, India

Best Director
Asghar Farhadi for Nader and Simin, A Separation, Iran
Teddy Soeriaatmadja for Lovely Man, Indonesia (okay I'm curious about film)
Sono Sion for 恋の罪 Koi no Tsumi (Guilty of Romance), Japan
Tsui Hark for Flying Swords of Dragon Gate, Hong Kong and China
Wei Te-sheng for Warriors of the Rainbow: Seediq Bale, Taiwan
Zhang Yimou for The Flowers of War, China

Best Actress
Vidya Balan in The Dirty Picture, India
Michelle Chen in 那些年,我们一起追的女孩 Na Xie Nian, Wo Men Yi Qi Zhui De Nu Hai (You Are the Apple of My Eye), Taiwan
Eugene Domingo in Ang Babae sa Septic Tank (The Woman in the Septic Tank), Philippines
Leila Hatami in A Separation, Iran
Deanie Ip in Tao Jie (A Simple Life), Hong Kong

Best Actor
Chen Kun in Flying Swords of Dragon Gate, Hong Kong and China
Donny Damara in Lovely Man, Indonesia
Andy Lau in Tao Jie (A Simple Life), Hong Kong
Park Hae Il in Choi-jong-byeong-gi Hwal (War of the Arrows), South Korea
Yakusho Koji in Waga haha no ki (Chronicle of My Mother), Japan

Best Newcomer
Ko Chen-tung in You Are the Apple of My Eye, Taiwan
Eric Lin Hui-min in 星空 Starry Starry Night, Taiwan
Maeda Ohshiro in 奇跡 Kiseki (I Wish), Japan
Ni Ni in The Flowers of War, China
Gita Novalista in Laut Bercermin (The Mirror Never Lies), Indonesia

To check nominations in all categories go here.Can’t help but to comment that infamous Christian Bale is NOT nominated (lol!); I’m so glad as he was really bad on role even when you consider that his character was another century person that used to live in China like “conquerors” do. Got really interested in watching Lovely Man that has LGBT interest, specially in the T, but is the story of a child that finds that her father is a she-prostitute that sells herself in the streets.

As it says in the press release award ceremony will be on March 19.

5th Asian Film Awards Winners

Last night award winners were announced and here they are in *BLUE for some categories. To check winners in all categories go here.

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1/21/11
Today AFA announced the nominations for these awards and Jury President this year is none other than renowned writer, director, producer and art connoisseur, Yonfan. As we know awards ceremony will be within the 35th Hong Kong International Film Festival and will take place on March 21st. These are the nominations for some of the 14 categories.

Best Film
唐山大地震 Tangshan dadizhen (Aftershock), Feng Xiaogang, China
告白 Kokuhaku (Confessions), Tetsuya Makashima, Japan
让子弹飞 Let The Bullets Fly, Wen Jiang, China
पीपली [लाइव] Peepli [Live] (Peepli Live), Anusha Rizvi and Mahmood Farooqui, India
Shi (Poetry), Lee Chang-dong, South Korea
*ลุงบุญมีระลึกชาติ Loong Boonmee raleuk chat (Uncle Boonmee Who Can Recall His Past Lives), Apichatpong Weerasethakul, Thailand

Best Director
Feng Xiaogang for 唐山大地震 Tangshan dadizhen (Aftershock), China
Jiang Wen for 让子弹飞 Let The Bullets Fly, China
*Lee Chang-dong for 시 Shi (Poetry), South Korea
Miike Takashi for 十三人の刺客 Juusan-nin no shikaku (13 Assassins), Japan
Na Hong-jin for 황해 Hwang Hae (The Yellow Sea), South Korea
Nakashima Tetsuya for 告白 Kokuhaku (Confessions), Japan

Best Actress
Jeon Do-yeon in 하녀 Hanyeo (The Housemaid), Im Sang-soo, South Korea
Kikuchi Rinko in ノルウェイの森 Noruwei no mori (Norwegian Wood), Japan
Matsu Takako in 告白 Kokuhaku (Confessions), Tetsuya Makashima, Japan
*Xu Fan in 唐山大地震 Tangshan dadizhen (Aftershock), Feng Xiaogang, China
Michelle Yeoh in 剑雨 Jianyu (Reign of Assassins), China, Hong Kong and Taiwan

Best Actor
Chow Yun-fat in 让子弹飞 Let The Bullets Fly, Jian Wen, China
Ge You in 赵氏孤儿 Sacrifice, Chen Kaige, China
*Ha Jung-woo in 황해 Hwang Hae (The Yellow Sea), Na Hong-jin, South Korea
Ethan Ruan Jin-Tian in 艋舺 Báng-kah (Monga), Doze Niu, Taiwan
Yakusho Koji in 十三人の刺客 Juusan-nin no shikaku (13 Assassins), Miike Takashi, Japan

Best Newcomer
*Mark Chao You-Ting in 艋舺 Báng-kah (Monga), Doze Niu, Taiwan
Aarif Lee in 歲月神偷 Sui yuet san tau (Echoes of the Rainbow),Alex Law, Hong Kong
Omkar Das Manikpuri in पीपली [लाइव] Peepli [Live] (Peepli Live), Anusha Rizvi and Mahmood Farooqui, India
T.O.P. in 포화속으로 Pohwa Sokeuro (71: Into The Fire), John H. Lee, South Korea
Zhou Dongyu in 山楂树之恋 Shan zha shu zhi lian (Under The Hawthorn Tree), Yimou Zhang, China

To check nominees in other categories please go here. Have seen some of these movies, but there are a few that been doubting watching but now will give them a try; then of course I’m dying to watch Confessions, even when story must be hard to watch, but I also know that Japanese cinema does extraordinary narrative and visuals that make film a lot easier to watch and enjoy.  From those that haven't watch there are too many war movies, but definitively will watch Let The Bullets Fly that's a comedy (!) Chinese style of course.

Recent Movie Bits

Yes have not been posting reviews but that doesn’t mean I haven’t been watching movies. So, here are some mini-unusual reviews for some movies that have seen lately.

127 Hours by Danny Boyle - While watching couldn't help but to recall Tom Hank's solitary role in Cast Away a film that was too much for me; maybe knew too much about story but film didn't "shock" nor move me. A lot less interesting than what story could have been and I find James Franco's performance acceptable but not much else. Enjoy!!

À Deriva (Adrift) by Heitor Dhalia – Wanted to watch film because I really enjoy Vincet Cassel performances and wasn’t disappointed here but I also enjoyed very much Laura Neiva unusual performance as Filipa; still nothing much else was interesting in this film that had an unpredictable not-interesting story with not interesting tech specs. If you skip it won’t be missing much. Enjoy.

A la deriva by Ventura Pons – Not so interesting story with good performance by Anna Azcona; as always in Pons films there is a gay character and this film is not the exception. Film is not as good as other Pons film but still if you like his style maybe you will enjoy it. Enjoy!!

Ça commence par la fin by Michaël Cohen - I really love Emmanuel Béart but couldn’t take her performance here –with real life husband as her love interest- was so boring and annoying that had to stop watching as became too repetitive and so not-interesting that gave up. Sigh.

The Company Men by John Wells – Entertaining with interesting story, wished Ben Affleck was more expressive but other performances by Tommy Lee Jones and Chris Cooper are good. Enjoy!

Duk haan chau faan (All About Love) by Ann Hui – Entertaining and quite amusing lesbian interest film from Hong Kong that could entertain many that enjoy the genre. Not your usual story nor style in the genre but if you decide to give film a try probably will laugh, smile to this good production values film with acceptable oriental style performances. Story is basically about fear of commitment. Enjoy!!

Exit Through the Giftshop by Banksy – Hilarious, surprisingly entertaining and great story message, no matter if is a hoax or not. DO NOT MISS IT! Big Enjoy!!!

Illégal (Illegal) by Olivier Masset-Depasse) – Outstanding performance by Anne Coesens with an interesting story that applies to many other countries in the world that have illegal aliens living there or crossing by. Worth watching especially for those that enjoy women centered stories. Enjoy!!!

Le bruit des glaçons (The Clink of Ice) by Bertrand Blier – Story and film became really annoying after a while but sustained watching. Not worth it, if you skip it won’t be missing much. Still Anne Alvaro performance as Louisa saves some moments. Sigh.

Les petits mouchoirs (Little White Lies) by Guillaume Canet – Love to watch Marion Cotillard performances and here is all right but she’s overshadowed (too much for me) by other ensemble cast performances like great François Cluzet and Benoît Magimel that had more interesting roles thus more flashy performances. Film looks and feels like any of those films that have talkie large ensemble stars cast but somehow I kept comparing it to Darbareye (About Elly) without the interesting crime twist. Only to watch if you really like Marion Cotillard performances. Enjoy!!

Map of the Sounds of Tokyo by Isabel Coixet – Had to stop watching as couldn’t take it anymore. I usually like Isabel Coixet films and also Sergi López performances (btw his cameo in Potiche was fabulous!) but film style became unbearable and annoying. Sigh.

Mother and Child by Rodrigo Garcia - Great Annette Bening performance wish she could be nominated for this performance and not the terrible movie she got nominated for. Story and film are entertaining but story is too predictable. Enjoy!!

Potiche by Francois Ozon – Don’t miss this film highly enjoyable comedy “a la francaise” with outstanding performance by Catherine Deneuve. LOVE this movie that absolutely cheered me up. Enjoy!!!

The Next Three Days by Paul Haggis - Entertaining at moments but story and film is uneven; Russell Crowe as a weak character doesn’t do it for me, even when in this film his character became the driven force, was not credible for me. Still film is watchable considering those recent mainstream American cinema releases. Enjoy.

Vénus noire (Black Venus) by Abdellatif Kechiche - Was expecting a very hard to watch film and was a LOT more harder to watch than what I imagined; so hard it hurt. But it’s an amazing dramatization of a true story with extraordinary and very expressive –yet silent- performance by Yahima Torres as Saartjie “Sarah” Baartman. Don’t skip film and stay until credits to watch real-life scenes. Amazing, yet very hard to watch, not a story to enjoy but one that everyone in the world should watch. Big Enjoy!!!

White Material by Claire Denis – Excellent performance by Isabelle Huppert but not much else; story seems like many others told many times before. Enjoy!

Hope didn’t forget films that have watched. So this is it for this movie bits post. Good news is that after tomorrow Sunday, February 27th industry news will be back to normal, so probably I will be back to normal writing reviews… lol!

狄仁傑 之 通天帝國 Di renjie zhī tōngtiān dìguó (Detective Dee and the Mystery of Phantom Flame)

Needed to watch something different and more entertaining so decided to give this movie a try even when I knew that Chinese action movies are not my kind of movies; so, it was an excellent surprise as movie was great entertainment with some quite beautiful choreographed fights, epic and grandiose scenes with many extras, very good cinematography and a great story that made me recall the good old detective stories a la Sherlock Holmes.

Directed by Hark Tsui who just learned that was a classic from Hong Kong golden era and is based on the book by Chen Kuofu with same name. Film tells the fictional account of Di Renjie one of the most celebrated officials of the Tang Dynasty, aka Detective Dee, who is liberated from prison to investigate the mysterious deaths of a series of loyal subjects. Eight years earlier Empress Wu Zetian, the only female emperor to ever rule China, send him to jail for leading a revolt to overthrown her; but she knew he was a loyal servant of her predecessor. So weeks before the grand inauguration ceremony of Empress Wu, Detective Dee dutifully returns to her Majesty’s service and partnering with the gung-ho Commander Bei and beautiful highly skilled martial artist Shangguan Jing’er –who serves as Empress Wu maid and right-hand “man”- they set to unveil the mystery murders. You have no idea how great and entertaining the voyage into this fantasy/mystery story will be; so much liked the movie that I’m thinking to maybe watch the other multi-honored film 13 Assasins.

As you probably recall film was in competition for the Golden Lion at the 2010 Biennale and after watching the film absolutely understand the selection as well as being screened at 2010 Toronto fest and other festivals. Don’t have much experience watching Chinese action films but if they’re like this one I should start learning more about them.

I do recommend the film to those that enjoy fantasy with mystery and action in your entertaining movies, but be assured that you will find a lot more in this film that has excellent production values.

Enjoy!!!

Trailer @MOC

二十四城记/二十四城記 Er shi si cheng ji (24 City)

Among the so-called Sixth Generation of Chinese filmmakers Jia Zhang ke absolutely is my favorite director and storyteller of ‘ordinary’ Chinese citizens compelling stories, told in what I can call very-realistic style no matter if story is real-life or fiction, or if film is documentary, fiction or a mix of both genres like what happens in 24 City.

It’s very difficult to remain a spectator while watching Jia’s films as characters, story and storytelling technique drag you inside the film quite fast to hold you inside story/ stories until the very last scene where you will feel completely satisfied after visiting the life of some people that exemplifies how China society has changed in the last 50 -or so- years. Using interviewers that we will never see but will hear we will watch amazing performances by actors and non-actors (who tell their real-life story) in what feels and look like monologues with some moments looking directly to camera while others just representing life moments, but all telling their compelling stories that go from how they became factory 420 workers until how the third generation with a more modern lifestyle (very western alike) will live in multi-story buildings with luxury flats at what now is called 24 City and will be built in what used to be factory 420 land.

If you’re familiar with Jia’s films you will recognize the actors from the non-actors as actors have been in many of his films, plus you also have well known actress Joan Chen; but all have great performances, so good that will make you feel and live whatever they’re sharing with you, the viewer.

Have to admit that is not an easy-to-watch style as maybe for some film will look like a series of interviews with people telling some interesting and other not-so-interesting stories; but if you’re familiar with Jia’s films I’m sure you’ll easily grab that film is a lot more than style. So, if you are not familiar with director’s work I strongly suggest you watch some of his films before watching this one, like for example Still Life, Platform or Unknown Pleasures.

I loved the film as a very human tale of China’s transition from a very controlled society to a ‘less-controlled’ society, a change that is happening so fast that learning about it (in films and/or real-life news) will amaze you. Not long ago I was reading about how in 10 years China built a comprehensive (and very modern) infrastructure and how now their efforts will be addressed to create a very-comprehensive ‘human infrastructure’. I feel Jia’s 24 City documents how China was able to address physic infrastructure while not taking much care about ‘human infrastructure’ and imagine that in 10 or so years maybe Jia could tell how the ‘human infrastructure’ was developed. Be sure that if he does I’ll be looking forward to watch his film as a learning experience but most of all as a visual and narrative very complete cinematic experience.

Enjoy!!!

Watch trailer @MOC

 
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