Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

6th Asian Film Awards Nominations

Today Hong Kong International Film Festival Society announced the nominations and right now official site has crashed due to “capacity problems”! Nevertheless here are the nominees from different sources and will confirm nods as well as post link to official site when site is up again.

Update
Finally I’m in the official site and here is an excerpt from the official press release.

Hong Kong, 17 January 2012 – The Hong Kong International Film Festival Society (HKIFFS) announced today the nominees in the 14 categories and the jury for the 6th Asian Film Awards (AFA). Eric KHOO, Singapore-based director and producer, will take up the mantle of Jury President, heading the panel of international film community notables who will select the winners of these prestigious awards. The Asian Film Awards Presentation Ceremony will be held at Hong Kong Convention and Exhibition Centre Grand Hall on 19 March 2012.

To continue reading press release go here.

Best Film
Jodaeiye Nader az Simin (Nader and Simin, A Separation), Asghar Farhadi, Iran
Ichimai no hagaki (Postcard), Kaneto Shindô, Japan
金陵十三釵 Jin líng shí san chai (The Flowers of War), Zhang Yimou, China
龍門飛甲 Long Men Fei Jia (Flying Swords of Dragon Gate), Tsui Hark, Hong Kong and China
賽德克•巴萊 Seediq Bale (Warriors of the Rainbow: Seediq Bale), Wei Te-sheng, Taiwan
ज़िन्दगी ना मिलेगी दोबारा Zindagi Na Milegi Dobara (You Don’t Get Life a Second Time), Zoya Akhtar, India

Best Director
Asghar Farhadi for Nader and Simin, A Separation, Iran
Teddy Soeriaatmadja for Lovely Man, Indonesia (okay I'm curious about film)
Sono Sion for 恋の罪 Koi no Tsumi (Guilty of Romance), Japan
Tsui Hark for Flying Swords of Dragon Gate, Hong Kong and China
Wei Te-sheng for Warriors of the Rainbow: Seediq Bale, Taiwan
Zhang Yimou for The Flowers of War, China

Best Actress
Vidya Balan in The Dirty Picture, India
Michelle Chen in 那些年,我们一起追的女孩 Na Xie Nian, Wo Men Yi Qi Zhui De Nu Hai (You Are the Apple of My Eye), Taiwan
Eugene Domingo in Ang Babae sa Septic Tank (The Woman in the Septic Tank), Philippines
Leila Hatami in A Separation, Iran
Deanie Ip in Tao Jie (A Simple Life), Hong Kong

Best Actor
Chen Kun in Flying Swords of Dragon Gate, Hong Kong and China
Donny Damara in Lovely Man, Indonesia
Andy Lau in Tao Jie (A Simple Life), Hong Kong
Park Hae Il in Choi-jong-byeong-gi Hwal (War of the Arrows), South Korea
Yakusho Koji in Waga haha no ki (Chronicle of My Mother), Japan

Best Newcomer
Ko Chen-tung in You Are the Apple of My Eye, Taiwan
Eric Lin Hui-min in 星空 Starry Starry Night, Taiwan
Maeda Ohshiro in 奇跡 Kiseki (I Wish), Japan
Ni Ni in The Flowers of War, China
Gita Novalista in Laut Bercermin (The Mirror Never Lies), Indonesia

To check nominations in all categories go here.Can’t help but to comment that infamous Christian Bale is NOT nominated (lol!); I’m so glad as he was really bad on role even when you consider that his character was another century person that used to live in China like “conquerors” do. Got really interested in watching Lovely Man that has LGBT interest, specially in the T, but is the story of a child that finds that her father is a she-prostitute that sells herself in the streets.

As it says in the press release award ceremony will be on March 19.

Autumn Movie Bites #2

Some bites to remind us that I have seen the movies and what I think about them.

Rise of the Planet of the Apes by Rupert Wyatt. USA. I start by saying that have seen the old movies, thus I know story; so my big surprise was to find that I liked the prequel, is a lot better than what I could ever imagined or expected. Loved the new apes, especially the protagonist with an amazingly expressive face that really transmitted feelings, truly fabulous how cinema technology has advanced and how good can be when is well-used. If you haven’t seen it, go ahead and watch if only just to pay attention to the great expression by the protagonist ape. Enjoy!!

What Women Want by Daming Chen. China. I’m crazy about Gong Li and will watch everything with her, but I have no idea why did she accepted to do this remake of the Hollywood movie with the same name. Much less because I did enjoyed original and gee, this remake was really awful and got me feeling embarrassed for Gong Li performance. If you love Gong Li please do not watch this movie. Sigh.

Margin Call by J. C. Chandor. USA. Nice entertaining drama about the financial crisis that seems will be explored from many points of view; this time telling about an investment bank that rushes to dump their positions before everything explodes and pushing fast-forward the crisis. Great cast with the likes of Jeremy Irons, Kevin Spacey, Stanley Tucci, Paul Bettany, and well, Demi Moore. Movie is starting to collect honors in this award season and yes, is well-deserved as film is a good representative of current American cinema that doesn’t target teenagers and doesn’t use special effects to fill movie duration. Enjoy!

The Help by Tate Taylor. USA, India, UAE. No, haven’t read the book and was expecting a not-easy-to-watch American period drama before civil rights were a possibility. To my surprise the story engage me to the point of making me very uncomfortable at moments as many things that are depicted in the movie are still true today between maids and their mistresses from many Latin American countries. Film is well done, so well that does generate emotions in viewers and I’m no exception, but great performances enhance story and movie in general, especially Viola Davis that I’m sure will get an Oscar nomination. Watch movie is entertaining and surely will make you laugh, shred a few tears, make you think a lot, and for some, wonder why no one has written a successful book about Latin America’s maid/mistress relationship. Enjoy!!!

Snow Flower and the Secret Fan by Wayne Wang. China and USA. Film tells parallel stories between 19th century China and present day Shanghai with tales of two women joined by laotong, a biding vow and contract to be eternal friends and share each other lives communicating with a secret women’s language called nushu beautiful written on the folds between the spines of silken fans. Nice story isn’t? Unfortunately film does not match the greatness of the story and what could have become interesting, thrilling and engaging becomes banal, not interesting and focus less. If you skip movie won’t miss much, but I do suggest you read book by Lisa See. Enjoy.

Melancholia by Lars von Trier. Denmark, Sweden, France and Germany. Lars von Trier has said publicly that this is his most American-like (ie mainstream or commercial) movie ever and you have no idea how right he is as this film definitively is not the regular greatness von Trier imprints in his works. Maybe the cast helps too much to his Americanization, as the first part with Kirsten Dunst character story is really not-engaging and for me, dull. Thing change a bit in the second part when Charlotte Gainsbourg commands the story and the screen but by then you know the end is coming and effectively comes with a bang done more with light than with impact. I suppose that most honors will come because film is not as crude as for example The Antichrist, is a lot more easy to watch and one-dimensionally understandable. Sigh. All right because I really liked second part, let say is Enjoy! (I hope he goes back to do his remarkable movies that so goodly shock us).

The Tree of Life by Terrence Malick. USA. Let me get this out of the way I have seen Malick’s movies and yes there are some I don’t like (The New World) and some nobody liked but I did (Days of Heaven); so many like his latest and surprise, surprise I did not. Just let me share that can’t understand why to reproduce the big-bang for about 20 minutes (more or less) with images that look more belonging to Natgeo, Discovery or any of those cable TV channels than to a “serious” film. I literally forced myself to watch the complete movie, but boy that was really a very hard thing to do and do not suggest anyone to do it. Too hard-to-watch (ie boring) but got the Palm d’Or and praises from everyone, except me. Sigh.

Beginners by Mike Mills. USA. Could you believe I watched this movie because Mélanie Laurent? Lol! It’s an entertaining movie thanks to very good performances by Christopher Plummer and Ewan McGregor as father and son. Film is a drama that tells about a man inability to keep a relationship surely due to what he saw his parents live, especially after her mother dies and his father recuperates the ‘joie de vivre’ when he tells everyone that he’s gay. It’s a complex story with many layers that I got them but somehow didn’t engaged me and watched from a comfortable distance, I was just an spectator of whatever was going on in the screen. Enjoy!!

Attenberg by Athina Rachel Tsangari. Greece. Very crazy movie, so crazy that I love it! But know that is not for everyone not for the story, not for the performances, not for the style and not for the whole that to me feels not hot like Greece but very cold like Finland –somehow film made me think of Aki K. films-. There is nothing lesbian interest in this film as I thought, so watch film only if you like cold-expression-less performances in very complex layered stories. If you dare to watch film I bet you will enjoy it a lot more than you expect, obviously you have to like art/arthouse films too. Enjoy!!!

Le Gamin au Vélo (The Girl with a Bike) by Jean-Pierre and Luc Dardenne. Belgium, France and Italy. Typical and particular Dardenne brothers visual style, amazing storytelling technique/style, and excellent directorial style that makes something very simple into a true masterpiece that’s a pleasure to watch. Period. Both Cécile De France and Thomas Doret give impeccable performances. A must be seen film for all of us that love the work of great Dardenne brothers. Enjoy!!!

Elena by Andrei Zvyagintsev. Russia. This movie has been killing me since the moment I finished watching and as days went by it has gotten worst. See, my spontaneous reaction when I saw the movie was: it’s an okay movie, Russia now looks/behaves like the rest of us… hmm, not good. Liked the visuals but believed they’re not as good as in Izgnanie or The Return. But since I like this director way beyond what I saw, I replayed movie in my mind and from that moment on movie is killing me. I know there are a lot of symbols and film explores the capitalist dichotomy of poor-rich, have-have not’s, plus the roles nouveaux riches play in their societies and I suppose that in Russia those that have money have not old money, but new money. Then started to read about movie and gee, almost each review, no matter the language, has slightly different story interpretations. I even read what Zvyaginstsev says about story and yes is slightly different. So my conclusion, is that movie story could have as many interpretations as people who see the movie, there is a very easy to understand story essence that deals with what I said above plus the morals of committing murder, but when you see story essence you know there is more and indeed people find more. One thing I’m sure if you enjoy great Russian films, this is must be seen for you. Big Enjoy!!!

جدایی نادر از سیمین Jodaeiye Nader az Simin (Nader and Simin, A Separation) by Asghar Farhadi. Iran. Excellent movie, for me as good as Farhadi previous two films, Fireworks Wednesday and About Elly; but this film has something new as story flawlessly travels several genres and engages us viewers not like spectators but like we are inside the movie and sometimes we side with Simin, then with Nader, the with Razieh, then with the judge, then with no one, then we are completely immersed inside the story and film. Fabulous! Until you see this brilliantly crafted very simple story you have no idea how seeing something so banal and common can become a masterpiece in the hands of a master filmmaker. Chapeau Mr. Farhadi. I don’t doubt that has huge possibilities of winning the Oscar and if so, will be well deserved, especially now that I know Pina is also competing in the documentary category. I strongly recommend this film as must be seen for all everyone that loves great world cinema. BIG ENJOY!!!

There are many more movies, but this is it for today. Cheers!

三槍拍案驚奇 Sānqiāng Pāi'àn Jīngqí (A Simple Noodle Story aka A Woman, a Gun and a Noodle Shop)

I knew that this Zhang Yimou film was not his usual style, this was “different”. Actually is not that different as his arresting visuals and his peculiar use of color are all over the movie. What I was not prepared for was what I read at the opening when it says that film is based on Blood Simple, yes the 1985 debut film by Joel and Ethan Coen. Film is Zhang Yimou’s homage to Coen brothers’ movie that is claimed he cites as one of his favorites.

Not being a Coen bros fan the moment I saw the opening I got not only surprised but concerned. So film opens with a scene that has beautiful colors (costumes) in a darkish setting but shows the unexpected from Zhang Yimou, comedy! Yes, oriental slapstick/screwball comedy, which also I’m not a fan. Oh! I should have stopped watching, but no I continued watching only to discover a story that does not distance itself much from the tragedies that Zhang Yimou likes to tell but the continuous comedy moments really annoyed me and if it wasn’t for the serious moments plus the truly arresting images this film would have become the very first Zhang Yimou movie that I can’t watch. But watched until the very end and my honest reaction when film was over was to ask myself: what did Zhang Yimou smoked to make this movie?

So from Texas story moves to China to become a period drama set in a desert town in Gansu province with a noodle shop in the middle of nowhere being the axis to all the drama that rotates around a rich man that abuses his wife and when he finds that she’s having an affair with one of the noodle shop employees, hires a police detective to kill them. Everything, absolutely everything goes wrong and in good “western” style everyone dies, except the only two women in the story. Crazy, crazy but the scenes with the killer (or serious moments) are quite good and thrilling.

Obviously had to watch film as not only is Zhang Yimou but also film was in competition at the 2009 Berlinale plus from trailer was fascinated by the colors and dramatic images. I believe I understand those that don’t like the movie but also understand those that like it as I didn’t liked the comedy (in this or any other oriental cinema) but I liked (a lot) everything else, especially several situations that puzzled me but wasn’t until I read about the movie that I started to understand that film is full of Chinese symbolisms that of course I’m not familiar with, so now that I know some of the symbols there is the possibility that will watch movie again to enjoy it more.

As I find it enlighten I’m reproducing an excerpt from the director’s statement at the movie official press kit:

"I gave the remake a rich Chinese flavor, casting Xiao Shenyang – a young comic actor who recently shot to fame in China – to add in a sense of farcical humor at the beginning. The fun soon turns into riveting suspense. I also adopted the aesthetic style of the old Chinese opera piece, San Cha Kou. The result is the confinement of all the characters within the same space, each of them shifting roles with one another and making similar mistakes. This lays bare the absurdity of life – something ironically repetitive, always beyond our control."

If you’re a Zhang Yimou fan like I am you need to read as much as you can or wish before watching the movie as understanding his motives, the symbols and yes, the use of comedy will surely help you to enjoy film beyond the outstanding use of color plus the breathtaking desert landscapes.

No, won’t be watching the original as this remake is more than enough for me and yes I do recommend movie but as mentioned in the previous paragraph I strongly suggest you learn as much as possible about the movie before watching. Then if you are not a Coen bros fan don’t need to be concerned as according to me, story does not feel or look (even when is said that’s a very close remake) like a Coen bros film at all.

Enjoy!!!

Watch trailer @MOC

狄仁傑 之 通天帝國 Di renjie zhī tōngtiān dìguó (Detective Dee and the Mystery of Phantom Flame)

Needed to watch something different and more entertaining so decided to give this movie a try even when I knew that Chinese action movies are not my kind of movies; so, it was an excellent surprise as movie was great entertainment with some quite beautiful choreographed fights, epic and grandiose scenes with many extras, very good cinematography and a great story that made me recall the good old detective stories a la Sherlock Holmes.

Directed by Hark Tsui who just learned that was a classic from Hong Kong golden era and is based on the book by Chen Kuofu with same name. Film tells the fictional account of Di Renjie one of the most celebrated officials of the Tang Dynasty, aka Detective Dee, who is liberated from prison to investigate the mysterious deaths of a series of loyal subjects. Eight years earlier Empress Wu Zetian, the only female emperor to ever rule China, send him to jail for leading a revolt to overthrown her; but she knew he was a loyal servant of her predecessor. So weeks before the grand inauguration ceremony of Empress Wu, Detective Dee dutifully returns to her Majesty’s service and partnering with the gung-ho Commander Bei and beautiful highly skilled martial artist Shangguan Jing’er –who serves as Empress Wu maid and right-hand “man”- they set to unveil the mystery murders. You have no idea how great and entertaining the voyage into this fantasy/mystery story will be; so much liked the movie that I’m thinking to maybe watch the other multi-honored film 13 Assasins.

As you probably recall film was in competition for the Golden Lion at the 2010 Biennale and after watching the film absolutely understand the selection as well as being screened at 2010 Toronto fest and other festivals. Don’t have much experience watching Chinese action films but if they’re like this one I should start learning more about them.

I do recommend the film to those that enjoy fantasy with mystery and action in your entertaining movies, but be assured that you will find a lot more in this film that has excellent production values.

Enjoy!!!

Trailer @MOC

山楂树之恋 Shan zha shu zhi lian (Under the Hawthorn Tree)

An unbelievable beautiful film by one of my favorite Chinese directors Zhang Yimou about a theme that I have never seen before in his films: Classic Pure Love. Not only the theme is new (for me) but also the film is very different to his previous ones as does not have his grandiose cinematic style or the outstanding cinematography. BUT this is a film about performances and you have no idea how extraordinary is first time acting Dongyu Zhou performing city girl Jing Qiu that slowly, very-slowly, falls for handsome young Lao San (Shawn Dou). It’s such a beautiful love story that I’m afraid will have to label the film –from a western point of view- as a girly film that I’m sure women will love while some men will not.

Seems that Zhang Yimou is exploring new territories as his previous film, San qiang pai an jing qi (A Woman, A Gun and A Noodle Shop aka A Simple Noodle Story), also seems to have a different style; haven’t seen the film yet (yes, dying to see it) but at least from photos and trailer I can say that has some of his master filmmaker trademarks like amazing use of colors, epic scenes and extraordinary use of cinematography , which Under the Hawthorn Tree does not have at all. BUT because of story the storytelling technique Yimou’s used in this film absolutely succeeds to make an intense story out of what could have been a very common and often told story.

Still story allows us a brief vision of what some Chinese lived during China’s Cultural Revolution and how some policies affected their everyday lives. Set in 1975 in a small village in Yichang City, Hubei Province story tells about a pure, moving and teary (yes, I cried) love story between Jing Qiu and Lao San during their “zhiqing” days towards the end of the Cultural Revolution. Zhinqing refers to young urban dwellers that were sent to the countryside during the turbulent decade, from 1966 to 1976. Jing Qiu’s family has a difficult life after her father was labeled as right-winger and imprisoned; but when she meets Lao San, who has a promising future because of his high-ranking military officer father, her life becomes really complicated as she starts to risk what’s left of a possible future for a girl with her background. Lovely story adapted from a novel by Ai Mi.

If you’re expecting a ‘normal’ Zhang Yimou movie please be advised that this film is not; consequently could disappoint many or could positively highly surprise you like happened to me as is such a lovely and beautiful film that, honestly, is not easy to digest that was done by master filmmaker Zhang Yimou, but it is.

I do strongly recommend the movie but I think is the kind of film that you have to watch when you’re in a ‘special’ mood; a mood that allows you to enjoy the story that yes, has a very sad ending and surely you will shred more than a few tears.

Enjoy!!!

Watch trailer @MOC

二十四城记/二十四城記 Er shi si cheng ji (24 City)

Among the so-called Sixth Generation of Chinese filmmakers Jia Zhang ke absolutely is my favorite director and storyteller of ‘ordinary’ Chinese citizens compelling stories, told in what I can call very-realistic style no matter if story is real-life or fiction, or if film is documentary, fiction or a mix of both genres like what happens in 24 City.

It’s very difficult to remain a spectator while watching Jia’s films as characters, story and storytelling technique drag you inside the film quite fast to hold you inside story/ stories until the very last scene where you will feel completely satisfied after visiting the life of some people that exemplifies how China society has changed in the last 50 -or so- years. Using interviewers that we will never see but will hear we will watch amazing performances by actors and non-actors (who tell their real-life story) in what feels and look like monologues with some moments looking directly to camera while others just representing life moments, but all telling their compelling stories that go from how they became factory 420 workers until how the third generation with a more modern lifestyle (very western alike) will live in multi-story buildings with luxury flats at what now is called 24 City and will be built in what used to be factory 420 land.

If you’re familiar with Jia’s films you will recognize the actors from the non-actors as actors have been in many of his films, plus you also have well known actress Joan Chen; but all have great performances, so good that will make you feel and live whatever they’re sharing with you, the viewer.

Have to admit that is not an easy-to-watch style as maybe for some film will look like a series of interviews with people telling some interesting and other not-so-interesting stories; but if you’re familiar with Jia’s films I’m sure you’ll easily grab that film is a lot more than style. So, if you are not familiar with director’s work I strongly suggest you watch some of his films before watching this one, like for example Still Life, Platform or Unknown Pleasures.

I loved the film as a very human tale of China’s transition from a very controlled society to a ‘less-controlled’ society, a change that is happening so fast that learning about it (in films and/or real-life news) will amaze you. Not long ago I was reading about how in 10 years China built a comprehensive (and very modern) infrastructure and how now their efforts will be addressed to create a very-comprehensive ‘human infrastructure’. I feel Jia’s 24 City documents how China was able to address physic infrastructure while not taking much care about ‘human infrastructure’ and imagine that in 10 or so years maybe Jia could tell how the ‘human infrastructure’ was developed. Be sure that if he does I’ll be looking forward to watch his film as a learning experience but most of all as a visual and narrative very complete cinematic experience.

Enjoy!!!

Watch trailer @MOC

唐山大地震 Tangshan dadizhen (Aftershock)

Since 2010 Cannes I heard about this film but with the English name of Aftershock honestly I paid no attention to the film and with a literal translation of Tangshan Earthquake I was not going to be a masochist to watch an earthquake film when I actually lived a real -massive-deadly one. Plus knowing that was the first IMAX movie made outside USA didn’t add to my interest as I imagined the end-product was going to be a mess. So I forgot about it. You have no idea how WRONG I was.

All right there is an earthquake in the film at the beginning -good special effects- but my skeptical (and scary) me tried to laugh with the special effects and was repeating to myself: is not real, are special effects. The only thing missing was a small (or big) real earthquake (every day there are many where I live now, but not all are perceptible to humans) and I know I’ll be running out of where I was watching the film. My skepticism didn’t last long as without noticing I was already absolutely inside the movie living the earthquake, the aftermath plus the narrative kept me inside for the entire movie feeling all kind of emotions, with my 5 senses in complete motion, and yes, I cried like a baby a few times. When was over I was exhausted but absolutely felt that I watched a Great Movie that moved me beyond my wildest imagination. Extraordinary and outstanding film by Feng Xiaogang, a director I was not familiar with as such but that I recalled -after watching photo- as an actor in crazy Kung Fu Hustle.

Basically film tells the story of three family members that survived the 1976 Tangshan earthquake, two very young twins and their mother. The uniquely emotional story goes from 1976 up to 2008 when the Sichuan earthquake happens. In between those 32 years you will see –and live- a very moving and compelling story of Yuan Ni, the mother, Da Feng, the son, and Fang Deng, the daughter. Just this story is more than worth to watch the movie but there is also another story in the background, shown so flawlessly entangled with the family story that becomes very natural: the story of China’s transformation over the past 40 years with all its political, economical and social changes. For sure the best China recent history movie I have ever watch and I have watched quite a few that do the same –one front story with a secondary China history in the back- but this one is outstanding.

As a movie is superb with flawless performances by young and older actors (that I suspect many were non actors, as many extras were real-life 1976 earthquake survivors), cinematography that allows you to live the disaster but after absolutely complements and integrates to the drama (and trauma) as well as camera moves and framing evolve with the times the narrative is telling and goes from classic compositions to more modern storytelling techniques. As a matter of fact tech specs in the movie are very interesting, but won’t bore you with how great they are.

I hate they named the film Aftershock in English as does not allow/facilitate many that love Chinese cinema to realize that this film is not Hollywood, is not a “special effects” disaster movie, and definitively there is no aftershock (strict word definition) after the 1976 earthquake. This is great Chinese cinema as good as many extraordinary films from better-known to me directors like Jia Zhang ke or Zhang Yimou, for example. But I found one very-important difference; this powerful film looks and feels with more universal appeal than any other good Chinese cinema films I have seen, this is a film that world audiences could be exposed to and they could cheer as a good film. So, I wouldn’t be surprised if always ‘strange’ Academy members are moved and give this grand epic film the top award in 2011 as the film truly deserves it. But you never know with them.

You cannot enjoy or love this film for the story, but is a very satisfying and complete cinematic experience that I know will move many and it is obvious but I strongly recommend it as must be seen for everyone in the world. Still, I know that in-between the two earthquakes the film evolves like great Chinese cinema which is unfamiliar territory for many and wonder if they could appreciate the film to the full greatness. Nevertheless I imagine that if you’re not familiar with good Chinese cinema you could be moved by the story and maybe will realize how great Chinese cinema can be.

Big Enjoy!!!

Watch trailer @MOC

 
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