Showing posts with label Denmark. Show all posts
Showing posts with label Denmark. Show all posts

65th Bodil Awards Winners

Melancholia was the BIG winner last night as collected ten awards including Best Film, Best Director, Best Script, Best Actress and Best Supporting Actress to great Charlotte Gainsbourg. Winners are in *BLUE. To read complete list of winners go here in English or here in Danish.

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A few days ago the Danish Film Critics Association announced their nominations and here they are some top categories. Nomination leader is A Family with 16 nominations followed close by Dirch (14) and Melancholia (13).

Best Film
En familie (A Family), Pernille Fischer Christensen
SuperClásico, Ole Christian Madsen
Frit Fald (Rebounce), Heidi Maria Faisst
*Melancholia, Lars von Trier
Dirch (A Funny Man), Martin P. Zandvliet

Best Actress
Lena Maria Christensen in En familie (A Family)
Frederikke Dahl Hansen in Frit fald (Rebounce)
*Kirsten Dunst in Melancholia
Emma Sehested Høeg in Magi i luften (Love is in the Air)

Best Actor
*Nikolaj Lie Kaas in Dirch (A Funny Man)
Jesper Christensen in En familie (A Family)
Anders W. Bertelsen in SuperClásico

To read nominees in other categories go here, available only in Danish and here in English. Award winners will be announced on February 5.

Autumn Movie Bites #2

Some bites to remind us that I have seen the movies and what I think about them.

Rise of the Planet of the Apes by Rupert Wyatt. USA. I start by saying that have seen the old movies, thus I know story; so my big surprise was to find that I liked the prequel, is a lot better than what I could ever imagined or expected. Loved the new apes, especially the protagonist with an amazingly expressive face that really transmitted feelings, truly fabulous how cinema technology has advanced and how good can be when is well-used. If you haven’t seen it, go ahead and watch if only just to pay attention to the great expression by the protagonist ape. Enjoy!!

What Women Want by Daming Chen. China. I’m crazy about Gong Li and will watch everything with her, but I have no idea why did she accepted to do this remake of the Hollywood movie with the same name. Much less because I did enjoyed original and gee, this remake was really awful and got me feeling embarrassed for Gong Li performance. If you love Gong Li please do not watch this movie. Sigh.

Margin Call by J. C. Chandor. USA. Nice entertaining drama about the financial crisis that seems will be explored from many points of view; this time telling about an investment bank that rushes to dump their positions before everything explodes and pushing fast-forward the crisis. Great cast with the likes of Jeremy Irons, Kevin Spacey, Stanley Tucci, Paul Bettany, and well, Demi Moore. Movie is starting to collect honors in this award season and yes, is well-deserved as film is a good representative of current American cinema that doesn’t target teenagers and doesn’t use special effects to fill movie duration. Enjoy!

The Help by Tate Taylor. USA, India, UAE. No, haven’t read the book and was expecting a not-easy-to-watch American period drama before civil rights were a possibility. To my surprise the story engage me to the point of making me very uncomfortable at moments as many things that are depicted in the movie are still true today between maids and their mistresses from many Latin American countries. Film is well done, so well that does generate emotions in viewers and I’m no exception, but great performances enhance story and movie in general, especially Viola Davis that I’m sure will get an Oscar nomination. Watch movie is entertaining and surely will make you laugh, shred a few tears, make you think a lot, and for some, wonder why no one has written a successful book about Latin America’s maid/mistress relationship. Enjoy!!!

Snow Flower and the Secret Fan by Wayne Wang. China and USA. Film tells parallel stories between 19th century China and present day Shanghai with tales of two women joined by laotong, a biding vow and contract to be eternal friends and share each other lives communicating with a secret women’s language called nushu beautiful written on the folds between the spines of silken fans. Nice story isn’t? Unfortunately film does not match the greatness of the story and what could have become interesting, thrilling and engaging becomes banal, not interesting and focus less. If you skip movie won’t miss much, but I do suggest you read book by Lisa See. Enjoy.

Melancholia by Lars von Trier. Denmark, Sweden, France and Germany. Lars von Trier has said publicly that this is his most American-like (ie mainstream or commercial) movie ever and you have no idea how right he is as this film definitively is not the regular greatness von Trier imprints in his works. Maybe the cast helps too much to his Americanization, as the first part with Kirsten Dunst character story is really not-engaging and for me, dull. Thing change a bit in the second part when Charlotte Gainsbourg commands the story and the screen but by then you know the end is coming and effectively comes with a bang done more with light than with impact. I suppose that most honors will come because film is not as crude as for example The Antichrist, is a lot more easy to watch and one-dimensionally understandable. Sigh. All right because I really liked second part, let say is Enjoy! (I hope he goes back to do his remarkable movies that so goodly shock us).

The Tree of Life by Terrence Malick. USA. Let me get this out of the way I have seen Malick’s movies and yes there are some I don’t like (The New World) and some nobody liked but I did (Days of Heaven); so many like his latest and surprise, surprise I did not. Just let me share that can’t understand why to reproduce the big-bang for about 20 minutes (more or less) with images that look more belonging to Natgeo, Discovery or any of those cable TV channels than to a “serious” film. I literally forced myself to watch the complete movie, but boy that was really a very hard thing to do and do not suggest anyone to do it. Too hard-to-watch (ie boring) but got the Palm d’Or and praises from everyone, except me. Sigh.

Beginners by Mike Mills. USA. Could you believe I watched this movie because Mélanie Laurent? Lol! It’s an entertaining movie thanks to very good performances by Christopher Plummer and Ewan McGregor as father and son. Film is a drama that tells about a man inability to keep a relationship surely due to what he saw his parents live, especially after her mother dies and his father recuperates the ‘joie de vivre’ when he tells everyone that he’s gay. It’s a complex story with many layers that I got them but somehow didn’t engaged me and watched from a comfortable distance, I was just an spectator of whatever was going on in the screen. Enjoy!!

Attenberg by Athina Rachel Tsangari. Greece. Very crazy movie, so crazy that I love it! But know that is not for everyone not for the story, not for the performances, not for the style and not for the whole that to me feels not hot like Greece but very cold like Finland –somehow film made me think of Aki K. films-. There is nothing lesbian interest in this film as I thought, so watch film only if you like cold-expression-less performances in very complex layered stories. If you dare to watch film I bet you will enjoy it a lot more than you expect, obviously you have to like art/arthouse films too. Enjoy!!!

Le Gamin au Vélo (The Girl with a Bike) by Jean-Pierre and Luc Dardenne. Belgium, France and Italy. Typical and particular Dardenne brothers visual style, amazing storytelling technique/style, and excellent directorial style that makes something very simple into a true masterpiece that’s a pleasure to watch. Period. Both Cécile De France and Thomas Doret give impeccable performances. A must be seen film for all of us that love the work of great Dardenne brothers. Enjoy!!!

Elena by Andrei Zvyagintsev. Russia. This movie has been killing me since the moment I finished watching and as days went by it has gotten worst. See, my spontaneous reaction when I saw the movie was: it’s an okay movie, Russia now looks/behaves like the rest of us… hmm, not good. Liked the visuals but believed they’re not as good as in Izgnanie or The Return. But since I like this director way beyond what I saw, I replayed movie in my mind and from that moment on movie is killing me. I know there are a lot of symbols and film explores the capitalist dichotomy of poor-rich, have-have not’s, plus the roles nouveaux riches play in their societies and I suppose that in Russia those that have money have not old money, but new money. Then started to read about movie and gee, almost each review, no matter the language, has slightly different story interpretations. I even read what Zvyaginstsev says about story and yes is slightly different. So my conclusion, is that movie story could have as many interpretations as people who see the movie, there is a very easy to understand story essence that deals with what I said above plus the morals of committing murder, but when you see story essence you know there is more and indeed people find more. One thing I’m sure if you enjoy great Russian films, this is must be seen for you. Big Enjoy!!!

جدایی نادر از سیمین Jodaeiye Nader az Simin (Nader and Simin, A Separation) by Asghar Farhadi. Iran. Excellent movie, for me as good as Farhadi previous two films, Fireworks Wednesday and About Elly; but this film has something new as story flawlessly travels several genres and engages us viewers not like spectators but like we are inside the movie and sometimes we side with Simin, then with Nader, the with Razieh, then with the judge, then with no one, then we are completely immersed inside the story and film. Fabulous! Until you see this brilliantly crafted very simple story you have no idea how seeing something so banal and common can become a masterpiece in the hands of a master filmmaker. Chapeau Mr. Farhadi. I don’t doubt that has huge possibilities of winning the Oscar and if so, will be well deserved, especially now that I know Pina is also competing in the documentary category. I strongly recommend this film as must be seen for all everyone that loves great world cinema. BIG ENJOY!!!

There are many more movies, but this is it for today. Cheers!

Movie Bits and Bits

Here are some mini-bits about some movies.

The Tempest by Julie Taymor. I do believe that Taymor movies are not for everyone much less when is based on a not so well-known Shakespeare play about love, vengeance and forgiveness but I believe that this is a fantastic adaptation to the big screen due to the amazing visuals and special effects plus great performance by Helen Mirren who plays Pospera, a role than in the original play is a man, Prospero. Movie is a bit too talkie for me but amazingly kept my total attention which happens not very often. Somehow believe movies like this make Shakespeare more accessible to general audiences, but unfortunately I know that general audiences won’t be attracted by film, which is true pity. Then those that like Shakespeare surely will not like movie, so I really wonder who the natural target of this great film is. I do recommend film to those that don’t mind very visual theatrical adaptations to the moving pictures. Enjoy!!!

Balada Triste de Trompeta (The Last Circus) by Alex de la Iglesia. Surely not for all audiences as this visually crazy with a crazier story film will not please many, but I found movie to be Brilliant!!! Not only made me recall Fellini but I found love story to be a satire of what happened in Spain during those times. Watch at your own risk, but if you enjoy Felliniesque visuals plus are familiar with Spain’s history then maybe you will like this really crazy movie. Enjoy!!!

Hanna by Joe Wright. Liked the story, liked Saorise Ronan performance as well as Cate Blanchett as a villain; but didn’t like the movie as I believe Wright messed up the storytelling, which is a true shame. Director is excellent for period dramas but when he comes to the present he seems to lose his magical touch. Enjoy.

A Religiosa Portuguesa (The Portuguese Nun) by Eugène Green. Movie has everything I like (very slow pace, nothing much happens, silences, very little dialogue, etc) but I couldn’t stand it, was impossible for me to finish watching. Sigh.

Edie & Thea: A Very Long Engagement by Susan Muska and Gréta Olafsdóttir. A documentary that tells the life of Edie and Thea; actually doc splendidly relates the love that these two women had for each other during 42 years, a story that culminates when finally they are able to get married. You will watch two remarkable ordinary women that lived their life against many odds. Strongly recommend to not miss this nice, very nice documentary. Enjoy!!!

Henry’s Crime by Malcom Venville. Surprisingly entertaining crime-romance-comedy film with very acceptable performances by Vera Farmiga, James Caan and one of my favorite actors Keanu Reeves in a role where he is forced to do his regular straight face acting but also goes to his more human smiling face and emotional acting, which is just great for me. Story is interesting especially because mirrors Anton Chekhov’s The Cherry Orchad play. Great movie for when you feel like having a good entertaining moment. Enjoy!!

La Robe du Soir (The Evening Dress) by Myriam Aziza. Aziza’s debut is a film with striking photography and a not-so-usual story about a student/teacher crush. Juliette, a 12-year-old-girl, has a strong crush on her beautiful/sensual teacher Hélène; everything is fine until she notices that Hélène is paying too much attention to a male student. Story unravels in a sort of Fatal Attraction -French style, of course- that tests the limits of what should and should not be happening between students and teachers. As a matter of fact and according to what I read it was director’s intention to criticize the French education system. I don’t believe film is the usual lesbian interest film as even when the story morale is definitively lesbian, the way story unravels is not lesbian at all. Still film is excellent not only for its top tech specs but also for the unbelievably good performance by Alba Gaïa Kraghede Bellugi that plays Juliette. If you are like me that love excellent French cinema then this film is must be seen for you. Enjoy!!!

Ces amours-là (What War May Bring) by Claude Lelouch. Unfortunately terrible and misleading translation into English as film is nothing about war even when is set during WWII; this is a feminine saga told like perhaps only Lelouch can tell, a female drama during several decades, that revisits life in France, revisits French cinema and is all about love (French style). Not your regular entertainment fare even under French standards but film has a little bit of everything that has been great (and bad) in France. Most notable Anouk Aimée cameo, the passages from films by Gremillon, Fleming, and Carné; but Lelouch homage to Jean Gabin is really fantastic. Suited only for those that really love French cinema. Enjoy!!

The Adjustment Bureau by George Nolfi. Surprisingly good sci-fi entertaining movie especially when really film is all about love, which is surely the reason why so many disliked film as probably were expecting another Bourne-type story as Matt Damon is the star. So if you enjoy watching unusual love stories then give this movie a try and perhaps you will highly enjoy your entertaining moment. Enjoy!

Submarino by Thomas Vinterberg. Movie grabbed me since the very beginning up to the very end. While story is painful to watch film is truly mesmerizing thanks to great performances and the grim reality style. Not often I’m able to hypnotically watch a film about alcoholism, drug addiction, violence, mental illness, and many other not positive life situations, but film takes you by the hand and not fast-not slowly shows you the lives of those inevitably marked by what they had to live in their childhood. You’re the observer, they live, you feel; intense. Highly recommend it to those that enjoy excellent European cinema. Enjoy!!!

That is all.

Hævnen (In a Better World)

A very good movie, extremely good indeed as while telling a not so extraordinary story, perhaps even told before, film becomes absolutely out of the ordinary. As a matter of fact have to conclude that film is perfect, yes there is perfection in this Susanne Bier’s carefully crafted movie as there is art, there is drama, there are outstanding performances by adult and children actors, there are magnificent visuals, absolutely amazing illumination, great indoor and outdoor framing and compositions, use of music to enhance the moment (yes I noticed music score), not many words –just the necessary- and a narrative that flows many times like a dream while little by little builds an intense tension that hurts inside and propels to feel many emotions. Exhausting, intense but very gratifying cinematic experience.

Took me a while but the Academy Award winner in the Best Foreign Language Film category absolutely deserves the honor even when I still have one movie to watch from the five nominated I’m positive that this has to be the best, as Bier’s oeuvre is so complete, so well-crafted that not often my eyes have the opportunity to watch such perfection. Truly, truly amazing.

Somehow I feel banality when telling what story is about, as summarizing plot doesn’t give you an idea of what this experience is all about; still will tell that is about school bulling, adult bulling, a boy with deep rage, and people from a very civilized society that at times their behavior seems fantasy, but is real; and there is a parallel story in Africa, a refugee camp with a big bully man. What you imagine, what you expect will not happen, as story will evolve so civilized that again seems fantasy, out of this world that surrounds us, like in a better world, that world that nowadays seems so foreign. Magnificent.

Absolutely must be seen and I just hope that everybody that has the privilege of watching this extraordinary oeuvre will experience all the emotions that crushed me but at the same time absolutely delighted me with an intense and complete cinematic experience. Chapeau Madame Bier. Bravo!!!

BIG ENJOY!!!

Watch trailer @MOC

2011 Bodil Awards Nominations and Winners

Last Sunday the Danish Film Critics Association had their awards ceremony and here are the winners in *RED.

Best Film
*R, Tobias Lindholm and Michael Noer
Hævnen (In a Better World), Susanne Bier
Klovn: The Movie (Clown), Mikkel Nørgaard
Sandheden om mænd (Truth About Men), Nikolaj Arcel
Submarino, Thomas Vinterberg’s

Best Actress
*Trine Dyrholm in Hævnen (In a Better World)
Julie Brochorst Andersen in Hold om mig (Hold Me Tight)
Ellen Hillingsø in Eksperimentet (The Experiment )
Bodil Jørgensen in Smukke mennesker (Nothing’s All Bad)
Mille Hoffmeyer Lehfeldt in Smukke mennesker (Nothing’s All Bad)

Best Actor
*Pilou Asbæk in R
Jakob Cedergren in Submarino
David Dencik in Broderskab (Brotherhood)
Mikael Persbrandt in Hævnen (In a Better World)
Peter Plauborg in Submarino

To check nominees and winners in other categories go here available only in Danish.

2011 Robert Awards Winners

Last Sunday the Danish Academy had the awards ceremony and winners are in *BLUE. As winners in world awards have started to be announced it has become clear that whoever person or group chose the film to submit to Oscar did not took much into account what was the best film in the country as awards are given to films that were not submitted. The Danish Academy is no exception as top award didn't go to acclaimed Hævnen (In a Better World) -that wasn't even nominated- but to R who dominated edition with eight top awards.

To check winners in all categories at the Academy site go here and here, available only in Danish; to check them in English go here.

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12/21/2010
The Danish Film Academy recently started to announce the nominees for current year awards and as film feature nominations were announced here they are.

Best Film
Submarino, Thomas Vinterberg’s
Broderskab (Brotherhood), Nicolo Donato
Alting bliver godt igen (Everything Will Be Fine), Christoffer Boe
Sandheden om mænd (Truth About Men), Nikolaj Arcel
*R, Tobias Lindholm and Michael Noer

Best Director
Susanne Bier for Hævnen (In a Better World)
Thomas Vinterberg for Submarino
Nicolo Donato for Broderskab (Brotherhood)
*Tobias Lindholm and Michael Noer for R
Nikolaj Arcel for Sandheden om mænd (Truth about Men)

Best Actress
*Trine Dyrholm in Hævnen (In a Better World)
Julie Borchhorst Andersen in Hold om mig (Hold Me Tight)
Anette Heick in Olsen Banden på de bonede gulve (The Olsen Gang Gets Polished)
Ellen Hillingsø in Eksperimentet (The Experiment )

Best Actor
Mikael Persbrandt in Hævnen (In a Better World)
Mads Mikkelsen in Valhalla Rising
Jens Albinus in Alting bliver godt igen (Everything Will Be Fine)
Jakob Cedergren in Submarino
*Pilou Asbæk in R

Nominations in all categories will be published soon at the Academy official site here, but for now please read the announcement here. The Robert awards ceremony will take place in Copenhagen on February 6, 2011.

It’s remarkable that Danish submission to Oscar, Hævnen by Susanne Bier got no nomination for best film, still Bier is the only woman nominated in the Best Director category and film main actors also god nods. Been delaying watching Submarino as imagine that will be not so-easy to watch, but will watch soon as got 19 nominations followed by Nikolaj Arcel’s Truth about Men with twelve and Nicolas Winding Refn’s Valhalla Rising with nine. To be honest most films call my attention but all, except the comedies, seem that will not be easy to watch them.

Daisy Diamond

A very hard, I mean HARD, to watch disturbing film on so many levels that absolutely don't recommend it to the weak of heart and/or those that don't like to watch all kinds of graphic scenes (including -but not only- sex scenes). Still, absolutely one film not to miss if you enjoyed Noomi Rapace in the three Millennium movies with the most incredible performance as Lisbeth Salander.

This film is all about Noomi Rapace performance as Anna and she's almost in every scene, if not all. There are many scenes where she's looking at the camera in very-close close-ups, so close that you can see her face skin pores. Her performance is absolutely impressive, so real that makes the movie so believable and completely makes more disturbing the already disturbing story.

Is a film that I know will confuse many, but to me everything that happens in Anna's auditions is what happened to her for real which only adds irony to her not getting the roles she's audition for. The layered story is about a young woman that wants to be an actress so leaves Sweden for Copenhagen only to get pregnant and have a child that will complicate her desire to be an actress enormously. While story unravels, you will start to go crazy with the child crying and don't doubt that very soon you'll know what will happen as probably you thought about it first. After the unthinkable happens everything is a downfall as she loses total control of her actions and her life in general.

This film has so many references to one of my favorite films, Ingmar Bergman's Persona, that I tend to think that Simon Staho, director and co writer, with this movie did his own homage to Bergman's classic. This is another reason why you should watch this film if you haven't watch it by now. Can't help but to mention that while this is a Danish production with a Danish director, the film looks and feels like excellent Swedish cinema.

For this magnificent role and performance Noomi Rapace won the Best Actress Award at the 2008 Bodil Awards and the 2008 Robert Awards, plus the film got 7 nominations in both awards.

Do I recommend the film? Yes I do, but be prepared for VERY HARD to watch visuals and story. Absolutely not a film to enjoy, but to keep the ratings here goes the closing line.

Enjoy!!!

Watch trailer @Movie On Companion

 
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